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Working With Images: The Art of Art Therapists is an effort to give voice to the artist aspect of our identity as art therapists. This book is about how the artists work, how they learned to do it, why they do it. This book will give you glimpses of the memories, and perhaps the scars, of the artists. Be honored. The artists in this book know that it is good to make art and they make good art. Through their work they demonstrate their faith in the product and the process. For some of them, art making is their anchor, in the turbulent world of helping professions. For some, images come in respo
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Art, Modern --- Art --- 1800-1899
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Art criticism --- Art --- Art, Renaissance. --- Modernism (Art) --- Poststructuralism. --- Post-structuralism --- Philosophy, Modern --- Structuralism --- Art, Modernist --- Modern art --- Modernism in art --- Modernist art --- Aesthetic movement (Art) --- Art, Modern --- Art, Renaissance --- Renaissance art --- Arts --- Criticism --- Historiography. --- Analysis, interpretation, appreciation
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Art --- Art criticism --- Historiography. --- Social aspects --- History
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Art --- Art, Modern --- Art and science --- Art and technology --- Visual Arts - General
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Artists --- Art, Modern
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« À Pierre Bourdieu, la philosophie reconnaissante ». Préfacé par Jacques Bouveresse, professeur au Collège de France, ce livre réunit les travaux d'un séminaire dirigé par Eveline Pinto, professeur de philosophie à l'Université Paris I Panthéon-Sorbonne. Ils visent à mesurer l'apport des sciences sociales à la philosophie de l'art, et à expliquer pourquoi il est devenu impossible de penser les biens de culture autrement qu'avec les catégories construites par le sociologue brutalement disparu. Christophe Charle, professeur d'histoire à l'Université Paris I, rend hommage à celui dont il fut l'élève en ajoutant à l'ouvrage son premier exposé au séminaire du maître à l'ENS Ulm, sur Zola, de la figure du savant à celle du prophète. Il y a comme un effet de réverbération entre des textes (études théoriques et analyses de cas) qui partagent les mêmes orientations épistémologiques. Littérature et sciences, même visée ? Par une pratique qui unit la critique littéraire et la réflexivité critique, Pierre Bourdieu montre leur convergence jusqu'à un certain point (Eveline Pinto). Vues d'Allemagne, les études littéraires en France ont paru longtemps décalées, jusqu'au moment où, grâce à leurs liens avec les sciences sociales, elles ont comblé leur retard (Joseph Jurt). À propos de « l'économie temporelle de la représentation théâtrale », est analysée la relation entre spectateurs et acteurs en termes d'attentes réciproques (Emmanuel Bourdieu). De l'écrivain de l'État monarchique à l'intellectuel moderne, l'évolution de cette figure apparaît étroitement liée à l'histoire de l'autonomisation du champ littéraire (Gisèle Sapiro). Les cas étudiés sont tous empruntés à la modernité littéraire et artistique : la naissance d'Ibsen, écrivain européen (Pascale Casanova) ; Proust, sociologue du particulier, dans la confrontation de l'habitus bourgeois et aristocratique (Jacques Dubois) ; Mallarmé/Manet et le face-à-face de l'artiste et de son public à l'âge des foules (Pascal Durand).
Art --- Culture. --- Sociology. --- Philosophy.
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Art and society --- Art --- Art, Comparative --- Art et société --- Art comparé --- Study and teaching --- Étude et enseignement
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This thoughtful and provocative book explores the relationship between music and the visual arts in the late nineteenth and twentieth centuries, focusing on the modernist period. Reassessing the work of composers and artists such as Richard Wagner, Pablo Picasso, Paul Klee, Josef Matthias Hauer, and John Cage, Simon Shaw-Miller argues that despite modernism's advocacy of media purity and separation, the boundaries between art and music were permeable at this time, as they have been throughout history.Shaw-Miller begins by discussing the place of Wagner's music and ideas at the time of the birth of modernism, presenting Wagner's aesthetic of the Gesamtkunstwerk as an alternative paradigm for modernist art. He goes on to analyze Picasso's use of musical subjects in his cubist works and Klee's adoption of music and the issue of temporality in his paintings and drawings. He concludes with the radical aesthetic of Cage, the silencing of sound, and the promotion of intermediality in the work of Fluxus artists. Through these fascinating examples, Shaw-Miller raises questions about both art and music history that will be of interest to students of both disciplines.
Art and music --- Music and art --- Music --- History
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Arthur Lismer, well-known member of the Group of Seven, was also one of Canada's most innovative educators. Using previously untapped correspondence and papers as well as interviews with Lismer's teaching colleagues, child students, and art students, Angela Nairne Grigor examines Lismer's Arts and Crafts Movement background in his native England, the evolution of the humanistic ideas and ideals that guided his work as both an artist and a teacher, and his international influence as an educator. She gives a vivid portrait of his approach to teaching in an illustrious fifty-year career that took him from Toronto to Halifax, Montreal, New York, Australia, New Zealand, and South Africa, and during which he played a pivotal role in the development of some of Canada's most important art schools and museums. Lismer pioneered new progressive ideas in art education through his work with children as educational supervisor at the Art Gallery of Toronto and, later, at Montreal's Museum of Fine Arts. In exploring Lismer's development as an educator, Grigor traces the history of art education in twentieth-century Canada and charts changing attitudes towards children and art. Lismer emerges as an artist with a social conscience who captured the hearts and minds of the thousands who heard him speak or were fortunate enough to have been his students. Arthur Lismer, Visionary Art Educator includes over a dozen drawings from Lismer's teaching and lecture notes that have not been previously published.
Artists as teachers --- Art --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Art teachers --- Teachers --- Study and teaching --- Lismer, Arthur, --- Art, Primitive
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